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Soft Cell's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) formed Soft Cell alongside Marc Almond in Leeds during 1977

The talented musician, a key member of the groundbreaking 1980s electronic music duo Soft Cell, has died at the age of 66.

Alongside singer Marc Almond, the duo achieved a global success with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their debut album their initial full-length release is considered a classic of electronic music.

He subsequently founded the pioneering electronic act The Grid, who achieved chart success with 1994's Swamp Thing.

Ball died peacefully in his sleep at his home in London on Wednesday 22 October, only a short time after performing a headline show with Soft Cell at the Rewind music event in the Thames-side town.

Recent Health Challenges

At that show, Ball appeared in a mobility chair, as he had for the previous couple of years, following a spate of health issues.

"I managed to injure myself quite a bit," he stated in a recent interview. "I broke spinal bones in my back and cracked about multiple ribs and fractured my arm."

After catching pneumonia and developing sepsis, he was placed in an induced coma and stayed in hospital for seven months.

Nevertheless, he had been in "high spirits mentally" during the warmer months, as he was developing a fresh record with Almond, titled Danceteria, which is set for publication next year.

"He was focused and so happy with the latest project that we literally finished only a short time ago," said the vocalist in a heartfelt message.
"It's so sad as next year was completely planned to be such an uplifting time for him, and I take some solace from the knowledge that he heard the completed album and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the forefront of the electronic music scene in the beginning of the decade

Heartfelt Messages

Almond referred to his collaborator as "an exceptionally talented creative mastermind", adding: "He was the heart and soul of Soft Cell and I'm very proud of our body of work.

"Many thanks Dave for being an immense aspect of my existence and for the music you created with me. I wouldn't be where I am without your influence."

His Grid bandmate from The Grid, also paid tribute, recalling Ball's "endless laughter" and "steadfast support".

"Forming a partnership with someone is different from joining a group, the connection is incredibly close," he added.
"That's how it was with us. We went through so many remarkable, incredible, memorable moments as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Early Life

Brought into the world into a single-parent household in the city of Chester in the late 50s, Ball was given up for adoption when he was a year and a half old.

He grew up in the seaside town with adoptive parents Donald and Brenda Ball, who changed his given name from Paul to David, together with his younger sister Susan, who was similarly welcomed.

He encountered Almond at Leeds Polytechnic in 1977, where they were both studying art. Inspired by a mutual passion of Northern Soul, they formed Soft Cell the same year, and promptly recorded an extended play.

Musical Partnership

The pair were an unusual combination: Ball was the quiet musician, hunched over his keyboard, while Almond was a flamboyant showman, all glitter and eye-liner; but they achieved a rare musical alchemy.

Ball had developed a interest with electronic instruments after viewing the band Kraftwerk perform on BBC program Tomorrow's World, and started to combine moody electronic sounds to the catchy tunes Almond was composing.

Their signature song became the UK's second most popular song of the early 80s, shifting 21 million units globally. Alongside successful tracks by other artists, contemporary bands and electronic acts, it contributed to paved the path for the electronic music style of the 1980s.

The track was also included on their full-length debut, Non-Stop Erotic Cabaret, which produced two further top five hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the separate release, Torch, which peaked at number two in the following year.

Soft Cell in the studio
The duo were developing fresh songs right up until Ball's death

Professional Journey

Fame had its upsides. "I enjoyed being able to purchase my initial property, having money and travelling, which might seem like a Miss World," Ball not long ago told with a publication.

But it also presented challenges. "Newfound wealth meant we could purchase substances to relieve the monotony" of media interviews and television shows, Ball said.

"I know that's a cliché, but it's a cliché for a good reason, because it works for so many musicians."

During the party-filled existence, the duo were also drifting apart, but they managed to create a follow-up memorable record - the wayward, tense and fittingly named The Art Of Falling Apart.

They put out one more album, their 1984 release This Last Night In Sodom, before dissolving the group to focus on individual endeavors.

Almond proceeded to have a successful individual path, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with ambient pop over a enduring collaboration.

Reunions and Final Projects

Soft Cell came back together in 2001, releasing the Top 40 album Cruelty Without Beauty.

Following another break, they reappeared in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the O2 Arena on September 30, 2018.

Yet, they remained active, recording their fifth album, Happiness Not Included, during the pandemic Covid lockdown.

Ball lately characterized the band's new album as a homage to the New York club scene they frequented while making their first two albums.

He noted that his period in hospital had shaped the band's sound.

"I experienced strange recollections when I was coming and going of the hospital because I was on morphine," he told a publication.
"The new songs are a electronic representation of the noises in my mind from that time.
"Simultaneously, it's about the times me and Marc got up to in the 80s."

The final mixes were completed only days before Ball died. It is due for release in Spring 2026.

The writer

Aaron Alvarado

Elara is a seasoned gaming analyst and writer, specializing in online casino reviews and strategies to enhance player experiences.

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